![]() "I have lived in the language of Ancient and Medieval instruments for more than a few years in my work on "The Tudors" and "Pillars of the Earth", and I can say that ERA is the best sounding, most cinematic library of its kind I have heard. TREVOR MORRIS 2 time EMMY winning composer, The Borgias, Immortals, The Scorpion King 3 From very human, musical performances to wild effects and everything in-between, I’m having fun creating new sonic landscapes with ERA 2 for far away imaginary lands." -Bill Brown Eduardo meticulously recorded a lot of organic source material and created compelling, useful instruments to manipulate, customize and create with. "ERA 2 continues to inspire new sonic directions in my music, especially for the epic adventures I’m scoring currently. Thank you Eduardo!"īill Brown BMI TV Music Awards for "CSI:NY" Seasons 1-9, Canadian Video Game Awards Best Original Music, and many more. It's enough to say The Witcher 3 soundtrack wouldn't be the same without ERA II. It's versatility, authenticity and great detail in sound still amazes me. ![]() "For past few years I've lived in the land of medieval sounds, instruments and scales and I must say ERA II was perfect addition to my folk arsenal in The Witcher 3: Wild Hunt. ![]() Marcin Przybyłowicz Composer / music director, CD Projekt RED, Soundtrack "The Witcher" ![]() It has been a huge pleasure for me to work with these powerful tools and adapt them to my musical universe." "In Eduardo Tarilonte’s sample libraries, especially “Era II Medieval Legends”, I have found exceptional sound quality creative tools and a huge variety of early instruments. In my work, I place big demands on quality and workflow, particularly orchestration and high quality atmospheres. Albums: Odysseus, Oreflam, Metamorphosis, Fjall d’yr vinur, Canticum in terra, Hortus Dei, Aux portes de Sananda, Domus ![]() Luc Arbogast French musician of old instruments and a singer, songwriter. ![]()
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